Tuesday, January 31, 2012

The Oxford Critical and Cultural History of Modernist Magazines : Volume I: Britain and Ireland 1880-1955

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The first of three volumes charting the history of the Modernist Magazine in Britain, North America, and Europe, this collection offers the first comprehensive study of the wide and varied range of 'little magazines' which were so instrumental in introducing the new writing and ideas that came to constitute literary and artistic modernism in the UK and Ireland. In thirty-seven chapters covering over eighty magazines expert contributors investigate the inner dynamics and economic and intellectual conditions that governed the life of these fugitive but vibrant publications. We learn of the role of editors and sponsors, the relation of the arts to contemporary philosophy and politics, the effects of war and economic depression and of the survival in hard times of radical ideas and a belief in innovation. The chapters are arranged according to historicalthemes with accompanying contextual introductions, and include studies of the New Age, Blast, the Egoist and the Criterion, New Writing, New Verse , and Scrutiny as well as of lesser known magazines such as the Evergreen, Coterie, the Bermondsey Book, the Mask, Welsh Review, the Modern Scot, and theBell. To return to the pages of these magazines returns us a world where the material constraints of costs and anxieties over censorship and declining readerships ran alongside the excitement of a new poem or manifesto. This collection therefore confirms the value of magazine culture to the field of modernist studies; it provides a rich and hitherto under-examined resource which both brings to light the debate and dialogue out of which modernism evolved and helps us recover the vitality and potentialof that earlier discussion.

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Thursday, January 12, 2012

The New Yorker (1-year auto-renewal)

The New Yorker (1-year auto-renewal) Review


The New Yorker (1-year auto-renewal) Overview

Week after week, The New Yorker keeps its reader current. Subscribe now and don't miss the New Yorker's famous fiction and poetry, book and film review, its incisive looks at politics, people and the way we live, and of course, those CARTOONS. In-depth reporting, surprising opinions, sharp wit, the best in prose, poetry, and the visual arts can all be yours for just an issue!

The New Yorker (1-year auto-renewal) Specifications


Who Reads The New Yorker?
Several million readers a month who come to the magazine to be informed, surprised, moved, and amused.

What You Can Expect in Each Issue:
The New Yorker offers a signature mix of reporting and commentary on politics, international affairs, and the arts, along with fiction, poetry, humor, and cartoons.

Past Issues:


Contributors:
Notable work in recent years includes reports from the front lines of the Middle East by Jon Lee Anderson, Dexter Filkins, Wendell Steavenson, and Steve Coll; coverage of the war on terror by George Packer, Jane Mayer, Lawrence Wright, and Seymour M. Hersh; Malcolm Gladwell on “the tipping point”; Anthony Lane on movies; James Wood on books; Elizabeth Kolbert on the environment; Atul Gawande on health care; fiction by Jonathan Franzen, Edwidge Danticat, Zadie Smith, and Haruki Murakami; humor by David Sedaris and Andy Borowitz; and cartoons by Roz Chast.

Magazine Layout:
The New Yorker is a readers' magazine. Articles range from short Talk of the Town pieces to long explorations of politics and world affairs, as well as notable figures in the arts, business, and science.

Comparisons to Other Magazines:
Since 1925, The New Yorker has published long-form journalism and short commentary that has changed the world and the way we think about it. Its essays and criticism are unparalleled.

Advertising:
Advertisers cover a wide range of categories, including financial services, automotive, technology and consumer electronics, travel and culture, luxury goods, wine and spirits, entertainment, fashion, food, publishing, and more. Small ads throughout the magazine offer a boutique-style shopping experience for everything from customized jewelry and Panama hats to expedition ship cruises and villa rentals.

Awards:
The New Yorker is the most-honored magazine in publishing history. Among many other honors, it has won 53 National Magazine Awards, more than any other publication in the organization’s history.


Amazon.com Review:
Founded in 1925, The New Yorker hardly changed for its first 60 years, both in its dry, type-heavy design and in its reputation as a writer's and reader's haven. In 1987 it was on only its second editor when management decided to shake things up. A rocky decade ensued, but The New Yorker is now back at the top of its game under David Remnick's editorship. Each issue offers commentaries and reporting on politics, culture, and events, with a focus that's both national and international; humor and cartoons; fiction and poetry; and reviews of books, movies, theater, music, art, and fashion. Several times a year special issues focus on a theme--music, fashion, business. The writing is mostly first-rate, frequently coming from top literary and journalistic talents. The New Yorker's weekly issues can seem overwhelming--so much good stuff to read, piling up so fast!--but it's as easy to dip in for a small snack as it is to wade in for a substantial meal. --Nicholas H. Allison

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Wednesday, January 11, 2012

The New Yorker (1-year auto-renewal)

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Week after week, The New Yorker keeps its reader current. Subscribe now and don't miss the New Yorker's famous fiction and poetry, book and film review, its incisive looks at politics, people and the way we live, and of course, those CARTOONS. In-depth reporting, surprising opinions, sharp wit, the best in prose, poetry, and the visual arts can all be yours for just an issue!

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Friday, January 6, 2012

The Oxford Critical and Cultural History of Modernist Magazines : Volume I: Britain and Ireland 1880-1955

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The first of three volumes charting the history of the Modernist Magazine in Britain, North America, and Europe, this collection offers the first comprehensive study of the wide and varied range of 'little magazines' which were so instrumental in introducing the new writing and ideas that came to constitute literary and artistic modernism in the UK and Ireland. In thirty-seven chapters covering over eighty magazines expert contributors investigate the inner dynamics and economic and intellectual conditions that governed the life of these fugitive but vibrant publications. We learn of the role of editors and sponsors, the relation of the arts to contemporary philosophy and politics, the effects of war and economic depression and of the survival in hard times of radical ideas and a belief in innovation. The chapters are arranged according to historicalthemes with accompanying contextual introductions, and include studies of the New Age, Blast, the Egoist and the Criterion, New Writing, New Verse , and Scrutiny as well as of lesser known magazines such as the Evergreen, Coterie, the Bermondsey Book, the Mask, Welsh Review, the Modern Scot, and theBell. To return to the pages of these magazines returns us a world where the material constraints of costs and anxieties over censorship and declining readerships ran alongside the excitement of a new poem or manifesto. This collection therefore confirms the value of magazine culture to the field of modernist studies; it provides a rich and hitherto under-examined resource which both brings to light the debate and dialogue out of which modernism evolved and helps us recover the vitality and potentialof that earlier discussion.

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